Mingna Hu

Mingna HuMingna HuMingna Hu
  • Home
  • About
  • Forming Silk I
    • Introduction
    • Pleating
    • Shrinking
    • Curling
    • Shrinking and Felting
  • Forming Silk II
    • Introduction
    • Natural Elasticity I
    • Natural Elasticity II
    • Natural Elasticity III
    • Non Origami
  • SELF-FORMING
    • Tublar Forms
    • Flat Forms
  • ART to USE
  • Contact
  • More
    • Home
    • About
    • Forming Silk I
      • Introduction
      • Pleating
      • Shrinking
      • Curling
      • Shrinking and Felting
    • Forming Silk II
      • Introduction
      • Natural Elasticity I
      • Natural Elasticity II
      • Natural Elasticity III
      • Non Origami
    • SELF-FORMING
      • Tublar Forms
      • Flat Forms
    • ART to USE
    • Contact

Mingna Hu

Mingna HuMingna HuMingna Hu
  • Home
  • About
  • Forming Silk I
    • Introduction
    • Pleating
    • Shrinking
    • Curling
    • Shrinking and Felting
  • Forming Silk II
    • Introduction
    • Natural Elasticity I
    • Natural Elasticity II
    • Natural Elasticity III
    • Non Origami
  • SELF-FORMING
    • Tublar Forms
    • Flat Forms
  • ART to USE
  • Contact

Forming Silk I / Shrinking

A man in a blue shirt and cap is painting a wall with a roller outdoors.

In this piece, movement is activated through the interaction between silk crepe yarn and the leno structure. The effect becomes fully visible only when the fabric is wetted.

As the material absorbs water, the yarns swell and additional stress is introduced into the textile. This triggers the silk crepe yarn to shrink and move. The open leno structure provides enough space for this stored energy to be released across the fabric, resulting in crinkled textures, contraction, and surface movement.




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